For original music written especially
for you, contact
us to discuss your
needs and our very reasonable fees. Scores and parts are done
on Finale.
Catalog of Available Instrumental
and Vocal Scores
by Miriam Gerberg for ensembles of all sizes!
Orchestral:
Fasl Taiseer: Suite for Oud & Strings
1994 work for solo Ôud
and chamber string orchestra. Also available for oud and string
quartet.
Ruchot Mizrachiot (Easterly Spirit/Winds) 1988,
orchestral suite for chamber orchestra in three movements: Yemenite
Dance, Little Ladder of Gold and the King and Adio, based on
melodies from Yemenite songs and Sephardic romancers
Elektra 1987, for string orchestra, Also available
for String Quintet.
Band:
North Side Anthem: Ode to Patrick
Henry 1996 for band incorporating
multiethnic styles (Thai, African-America, Irish, Caribbean)
Chamber Instrumental
Works
Solo Piano:
Customs 1999, 14 movement
piano suite
Road to Roen 1998, piano score
Minouha 1991, piano solo
Tango II
1986, piano solo
Red Shoe Rag 1985,piano solo.
Elektra 1982, piano solo
Mimes 1977, piano suite in three movements
Duets to Octets:
Sam in Twos 1995 duet for cello and soprano sax, improvisational
elements
Hip Hop Hanukah! 1995 octet hip arrangement of
traditional Hanukah songs
Little Ladder of Gold 1988 trio for flute, bassoon
and guitar, based on a Sephardic tune
In The Night Softly 1987, nocturne for mixed quintet
(flute, oboe, viola, cello, harp) & electronic tape. Also arranged
for woodwind quintet
Nio: Naraen Kongo 1986 duet for vibraphone and
electronic tape
Red Shoe Rag 1985, Two versions: seven- piece vaudeville
band (clarinet, violin, trumpet, trombone, piano, bass and trap
set) and Double Woodwind quintet
Tango I 1984, Five piece vaudeville band (clarinet,
violin, piano, bass, and trap set)
Improvisational Group
Works:
B Muse 1993 instrumental
structured improvisational work, mixing melodic materials from
various world musical cultures
Babel 1992 improvisational work based on the idea of
inability to communicate as a cause for ethnic strife, and using
melodies from a variety of world cultures
Carpathian Nights 1991, work based on melodies
from Macedonia, Croatia and Russia using improvisational techniques
Taksim Ahava Rabah 1990, improvisational work for
solo or duo
Tala Benison 1990, structured improvisation for
1-6 instruments, mixed tuning
Fragments of a Yemenite Tune 1988 aleatorical
instrumental work based on a Yemenite Jewish melody
World Instrumental
Ensembles:
Kotoledon 1990, duet for two Japanese kotos
Lancaran Sederhana 1997 work for small Javanese
gamelan ensemble
Chamber Choir/Vocal
Works Choirs:
Ladrang Lital pelog barang 1997
unaccompanied chamber ensemble (SSATTBB) work based on Javanese
gamelan musical structures, forms and mode
Hadiqah 1995, vocal ensemble (SSAA) work based
on a Moroccan Jewish song with improvisational sections
If Fear Is Like a Hard Rock 1992, 2 part choral
setting of poem by 11th Century Spanish Jewish poet Shem Tov
ben Paquera
Dream Quartet 1985, unaccompanied vocal quartet
using extended vocal techniques, with text by David Brunet
Vocal Solos with Instruments:
The Alhambra Decree 1992,
Musical setting of the Spanish Expulsion Edict of 1492 for singers,
narrator, guitar & percussion
Days of Awe 1988, staged imagistic work using texts
& melodies from the Jewish High Holy Day tradition, for four
female vocalists, horn and drone
Shechina 1987, trio for soprano, oboe and piano.
Premiered in St Paul (MN)
Mickey's Diner 1985, operatic trio with piano (mezzo-soprano,
baritone and bass), with text by Marilyn Seven
Gerta & Berta Discuss Baseball One Morning At Breakfast
1985, duo for two sopranos and piano, with text by Leslie Brody
Oh Hopeless Man 1985, solo for bass and piano,
with text by George Sand
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